Phantom vertiginous audiovisual performance work addresses the Yeosu-Suncheon Rebellion (1948), one of South Korea’s dark historical traumas whose immediate aftermath (the number of casualties overall is estimated to reach 10,000) and long-term repercussions in effectively establishing the ‘red scare’ or anti-communism proved vital, or rather, lethal to many lives as well as the egalitarian imaginary in post-war South Korea. The fact that the portrait photographs in the film are not those of actual victims but of people taken later in the same area –which Lee got hold of from a local photo studio– further complicates the question of “recognition”. One is thus tempted to suggest that Phantom paradoxically serves to forget these faces, along with the historical trauma of the massacre, in seeking to remember them. (Yung-Bin Kwak, Fireworks and Massacre in Grey (Spasmodic) Room)
April, 1945. As the Allies make their final push in the European Theater, a battle-hardened army sergeant commands a Sherman tank with a five-man crew on a deadly mission behind enemy lines.
As humanity picks up the pieces after the battle of Chicago, a shadowy group reveals itself in an attempt to control the direction of history…while an ancient, powerful new menace sets Earth in its crosshairs.
Istanbul cirminal underworld; a place of merciless families and swaggering hitmen afraid of no one. Kadir Korkut, nicknamed the "Demon" is the most fearsome of their kind.
Psychic, occult, grotesque, violence, madness, psychotic... The introduction to the popular Japanese horror series featuring horrifying, shocking and taboo images of videos that cameras caught! Collection of popular 3 episodes from volume 1 to volume 3.
William stands at the window telling Abigail his story of walking down 'the witches' path. The unseen spectral Abigail taunts William suggesting that he walked down the path hoping to see her.
