The audiovisual engine behind this piece uses a digital adaptation of the "raster scanning" method. The digital implementation initially ran into some unexpected limitations: the number of pixels onscreen for the duration of one frame significantly exceeds the number of audio samples played for the equivalent duration. However, I found the resulting distortions to be an especially interesting part of the process, eventually building the program for that which is about us around the distortions from translating a digital sound to an image and back in this particular fashion. Much like That Which Pulls, this piece develops in relation to points of harmonic resonance, but in this case we witness the sounds and images circling these resonances together.
Istanbul cirminal underworld; a place of merciless families and swaggering hitmen afraid of no one. Kadir Korkut, nicknamed the "Demon" is the most fearsome of their kind.
It was a concert fit for a king. Filmed live from his final show in Dallas, Texas, George Strait performs some of his most-loved hits and shares the stage with many famous friends.
A thriller set in New York City during the winter of 1981, statistically one of the most violent years in the city's history, and centered on the lives of an immigrant and his family trying to expand their business and capitalize on opportunities as the rampant violence, decay, and corruption of the day drag them in and threaten to destroy all they have built.
April, 1945. As the Allies make their final push in the European Theater, a battle-hardened army sergeant commands a Sherman tank with a five-man crew on a deadly mission behind enemy lines.
For Peter Parker, life is busy. Between taking out the bad guys as Spider-Man and spending time with the person he loves, Gwen Stacy, high school graduation cannot come quickly enough.
