A response to Yoko Ono's Film Script No. 4 “ASK THE AUDIENCE TO STARE AT THE SCREEN UNTIL IT BECOMES BLACK.” I decided to assemble material shot in Cambodia in 2013 during the Cambodia King-Father Norodom Sihanouk’s funeral- a week long period of national mourning in which millions of Cambodians swarmed to Phnom Penh to grieve for the loss of their beloved leader. The profoundly overwhelming nature of this mass grieving seemed to resonate with the notion of an audience literally collectively willing an image out of existence. I chose to read the action of the screen turning black as being due to the audiences collective will rather than something imposed on an audience by the filmmaker/artist.
With his wife's disappearance having become the focus of an intense media circus, a man sees the spotlight turned on him when it's suspected that he may not be innocent.
A special bond develops between plus-sized inflatable robot Baymax, and prodigy Hiro Hamada, who team up with a group of friends to form a band of high-tech heroes.
April, 1945. As the Allies make their final push in the European Theatre, a battle-hardened army sergeant named Wardaddy commands a Sherman tank and her five-man crew on a deadly mission behind enemy lines.
