The film is based on the classical painting by Vincent van Gogh. The painter wanders through the landscape of his paintings a watches scenes from rural life. In the end he gets invited to a country house where he sees the potato eaters. The suggestive film honours van Gogh’s handwriting but shifts it to black and white.
From fairy tales or funny gore games - it could be characterized by a black-and-white review of folk tabernacles involving sex with a pig, frowning, and the painful fall of the princess from her prison in the high tower.
In a run-down hotel for transients, a man sleeps fitfully in bed. He rises to use the toilet down the hall, and while he's there, a burglar enters his room.
John's first independent work from 1989. Won Best of Fest Shorts at the Cinequest Film Festival, CA. The film is comprised of highly rendered drawings with very little moving parts to tell a complex story of relationships "gone to the birds".
Mitsuki and Yuya become stepsister and stepbrother because of their parents' marriage. Mitsuki can't get along with her new family and Yuya doesn't know how to approach his new stepsister.
This story began with a blind, bull elephant called Pla-Ra. Paul Barton took his piano to ElephantsWorld, a Sanctuary on the banks of the River Kwai in Thailand and began playing to the elephants while they were eating.