The film transports us from the inside of an old factory of cinematographic films to a sensory journey to places initially unknown, but that gradually enclose a belonging region. The film presents the integration of Socialist Germany – ironically called by Western Dark Germany – and the definition of a new scope. In the darkness of the plant and from other hidden sensations of places, we are immersed in constant discoveries of the territory, combined with feelings of opening and closing, evaluation of distances and survey of new measures. The film overlaps past and future in layers of sensations that balance between the disappearance and the invention of a place.
When 11-year-old Riley moves to a new city, her Emotions team up to help her through the transition. Joy, Fear, Anger, Disgust and Sadness work together, but when Joy and Sadness get lost, they must journey through unfamiliar places to get back home.
Itso, about 35, drives a special ambulance called a 'corpse-van'. His job is to pick up the bodies of the recently deceased and transport them to the morgue.
When college senior Anastasia Steele steps in for her sick roommate to interview prominent businessman Christian Grey for their campus paper, little does she realize the path her life will take.
The story of the modern Los Angeles film industry as a series of monologues. The monologues are delivered by various characters, including a writer, a director, a producer, an actress, and a soccer mom.
In Matt Braunger's stand-up special, he reveals why single men are so creepy, describes the drunken antics he observed as a bartender and details a surprisingly stressful Bingo victory.
A little boy pulls out one Martian toy from a vending machine and it turns into a real alien who takes him to his planet, where he is surronded by the toys from the vending machine, but much bigger.