For her medium-length project Into the Hinterlands filmmaker Julia Yezbick collaborated with the Detroit-based performance group The Hinterlands, with her camera engaging in their kinetic actions. Produced during Yezbick’s time with the Harvard’s Sensory Ethnography Lab, her immersive and unadorned footage pushes bodies and the documentary form to abstraction, aided by sound artist Ernst Karel’s dynamic sound mix.
The story of the modern Los Angeles film industry as a series of monologues. The monologues are delivered by various characters, including a writer, a director, a producer, an actress, and a soccer mom.
What is art and how does it relate to society? Is its value determined by its popularity or originality? Is the goal profit or expressing one's personal vision? These are some of the questions raised as we follow fiercely independent New York artist Robert Cenedella in his artistic journey through decades of struggling for creative expression.
Itso, about 35, drives a special ambulance called a 'corpse-van'. His job is to pick up the bodies of the recently deceased and transport them to the morgue.
As the war between the Capitol and the districts reaches its peak, Katniss Everdeen embarks on a perilous mission to liberate Panem and confront President Snow.