In some ways Lost in Linear Valley is a tech-demo gone wonderfully wrong. JJ Stratford’s formal exploration of the LZX Video Synthesizer and the Fairlight Computer Video Instrument (CVI) resulted in a suite of 10 short experimental videos questioning obsolescence and early video aesthetics. At first glance, one could mistakenly take this work to be a study of dead-media fetishism. However, one watches this suite unfold into a delicate investigation of the limits of technology, and the potential those limits enable. Through the use of preset wipes and crude RGB color palettes, Stratford uncovers hidden potential in what otherwise would be considered a long-outmoded device for creative expression. In doing so, the typical subversive gesture of using obsolete technology that occurs within contemporary art is supplanted by an earnest exploration into a crucial link between early video aesthetics and current technologically inflected imagery.
After the death of a group of teenagers using the Ouija, the psychologist Fernanda and her son return to Peru, but they will find themselves surrounded by an evil entity as big as its wicked sect.
When 11-year-old Riley moves to a new city, her Emotions team up to help her through the transition. Joy, Fear, Anger, Disgust and Sadness work together, but when Joy and Sadness get lost, they must journey through unfamiliar places to get back home.
A documentary chronicling the events surrounding three Americans arrested and held as political hostages in Iran and their families’ campaign to free them.
Humpback Whales takes audiences to Alaska, Hawaii and the Kingdom of Tonga for a close-up look at how these whales communicate, sing, feed, play and take care of their young.
The octogenarian Angono Mba recalls the expedition in which he worked as porter for the Spanish filmmaker Manuel Hernández Sanjuán who, between 1944 and 1946, traveled through Spanish Guinea documenting life in the colony as he obsessively searched for a mysterious lake.
