The film Primate Colors pursues and accelerates methods and forms elaborated in ethnographic and anthropological filmmaking. The anthropological understanding of following subjects to record their lives is re-oriented. Rather than (critically) explaining the actions, believes or norms of certain subjects, the film concentrates on the affective components of events, objects and actions. (No claims are made about the lives of others.) Here, filming is to follow affects and to produce further affects. To follow affects, does not mean to be affected by an idea or a subject, but to be mesmerized by materiality, by the sounds of the running camera and by following the movement of things that are being filmed.
When 11-year-old Riley moves to a new city, her Emotions team up to help her through the transition. Joy, Fear, Anger, Disgust and Sadness work together, but when Joy and Sadness get lost, they must journey through unfamiliar places to get back home.
The octogenarian Angono Mba recalls the expedition in which he worked as porter for the Spanish filmmaker Manuel Hernández Sanjuán who, between 1944 and 1946, traveled through Spanish Guinea documenting life in the colony as he obsessively searched for a mysterious lake.
In one tragic night, Quantum Physics Professor Jacob Matthews loses his wife...his everything. What he does to get her back will bring him to the edge of madness.
Armed with the astonishing ability to shrink in scale but increase in strength, master thief Scott Lang must embrace his inner-hero and help his mentor, Doctor Hank Pym, protect the secret behind his spectacular Ant-Man suit from a new generation of towering threats.
After the death of a group of teenagers using the Ouija, the psychologist Fernanda and her son return to Peru, but they will find themselves surrounded by an evil entity as big as its wicked sect.
