Academy Award-winning screenwriter Robert Riskin headed up a secret film unit that sought to redefine America in the eyes of the world during the darkest days of World War II. The filmmakers created powerful short documentaries that showed America's strength not through images of tanks, but in portraits of farmers, school children and window washers. The "Projections of America" films were brilliant, moving portraits of America that were unlike any films ever made before, but seventy years later they are forgotten, hidden away in government archives.
The shooting diary of a film shot in France and in the United States. Using photos of Paris and of New York City, excerpts of his former films, statements by friends of his and shooting sequences of the film itself, tormented filmmaker Marcel Hanoun has made a heterogeneous and unclassifiable film about the difficulty of filming.
As Australian cinema broke through to international audiences in the 1970s through respected art house films like Peter Weir's "Picnic At Hanging Rock," a new underground of low-budget exploitation filmmakers were turning out considerably less highbrow fare.
When World War II broke out, John Ford, in his forties, commissioned in the Naval Reserve, was put in charge of the Field Photographic Unit by Bill Donavan, director of the soon-to-be-OSS.
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