"Part of an ongoing project called Scanning Cinema [that consists] of scanning moving images by using a flatbed scanner and a monitor and putting them back into an animated film. The inversions [produced by this] method (the physical action of scanning) [generate] a new language like a disturbed echo from the photographic reviving of moving images. […] The fragments … used [here] are a re-montage of Michelangelo Antonioni’s Blow-Up, [while] the original soundtrack of Herbie Hancock has undergone the same process as the images. The movie consists of 10,000 scans put together in a stop-motion film." (Benjamin Verhoeven)
In one tragic night, Quantum Physics Professor Jacob Matthews loses his wife...his everything. What he does to get her back will bring him to the edge of madness.
Itso, about 35, drives a special ambulance called a 'corpse-van'. His job is to pick up the bodies of the recently deceased and transport them to the morgue.
What is art and how does it relate to society? Is its value determined by its popularity or originality? Is the goal profit or expressing one's personal vision? These are some of the questions raised as we follow fiercely independent New York artist Robert Cenedella in his artistic journey through decades of struggling for creative expression.
A little boy pulls out one Martian toy from a vending machine and it turns into a real alien who takes him to his planet, where he is surronded by the toys from the vending machine, but much bigger.
This documentary feature pulls back the curtain on the world of ‘working class’ rappers. The film spotlights independent artists struggling to find a balance between making a living and pursuing their art alongside the never-ending saga of age and relevance.