In Sorry for Real ‘the Western world’ apologises for the violent history of slavery, colonialism and the continuing exploitation of African people and resources. We see a smartphone chat in which ‘the West’ asks for forgiveness. But what purpose does an apology serve? Who benefits from it? Which power structures are concealed behind it? Should the present apologise for the past? And can this past ever really be forgiven? Sorry for Real questions the unequal balance of power within the politics of compensation, and emphasises the need to decolonise technologies and reconciliation strategies.
A people's struggle to save the animal at the heart of their culture. For centuries the Bunong indigenous people on the Cambodian-Vietnamese border lived with elephants, believing they shared the same destiny.
The story of the modern Los Angeles film industry as a series of monologues. The monologues are delivered by various characters, including a writer, a director, a producer, an actress, and a soccer mom.
In Matt Braunger's stand-up special, he reveals why single men are so creepy, describes the drunken antics he observed as a bartender and details a surprisingly stressful Bingo victory.
As he is going to save a princess imprisoned in the dungeon of an evil sorcerer, Tarim understands that he is the main character of a movie, and decides to fight against the special effects.
What is art and how does it relate to society? Is its value determined by its popularity or originality? Is the goal profit or expressing one's personal vision? These are some of the questions raised as we follow fiercely independent New York artist Robert Cenedella in his artistic journey through decades of struggling for creative expression.
Twenty-two years after the events of Jurassic Park, Isla Nublar now features a fully functioning dinosaur theme park, Jurassic World, as originally envisioned by John Hammond.
An apocalyptic story set in the furthest reaches of our planet, in a stark desert landscape where humanity is broken, and most everyone is crazed fighting for the necessities of life.
Itso, about 35, drives a special ambulance called a 'corpse-van'. His job is to pick up the bodies of the recently deceased and transport them to the morgue.
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Have you watched Sorry for Real yet? What did you think about it?
