The visual essay presented here, which has been produced in Morocco, offer a interdisciplinary reflection on the role that the system of visuality acquires within colonial and neo-colonial proces ses, which are understood to mean not only forms of political and economic exploitation but also a ceaseless abyssal thinking that dorninates the global system.
A documentary chronicling the events surrounding three Americans arrested and held as political hostages in Iran and their families’ campaign to free them.
In a town in the southern Andes in Peru, a DJ from a local radio station decides to start a news report to share the stories from the victims of the Maoist guerrilla of the Shinning Path, as well as the brutal repression from the police and military forces during the Civil War that took place in the 80s and early 90s in the country.
After the death of a group of teenagers using the Ouija, the psychologist Fernanda and her son return to Peru, but they will find themselves surrounded by an evil entity as big as its wicked sect.
The octogenarian Angono Mba recalls the expedition in which he worked as porter for the Spanish filmmaker Manuel Hernández Sanjuán who, between 1944 and 1946, traveled through Spanish Guinea documenting life in the colony as he obsessively searched for a mysterious lake.
In Matt Braunger's stand-up special, he reveals why single men are so creepy, describes the drunken antics he observed as a bartender and details a surprisingly stressful Bingo victory.
What is art and how does it relate to society? Is its value determined by its popularity or originality? Is the goal profit or expressing one's personal vision? These are some of the questions raised as we follow fiercely independent New York artist Robert Cenedella in his artistic journey through decades of struggling for creative expression.
