The title of the film is the date on which the editorial staff of Hungary’s largest opposition newspaper, Népszabadság, was fired. The filmmaker tore up copies of that day’s issue, layered them, and then turned them into an urgent collage expressing his yearning for the free expression of opposition viewpoints. The visible edges of the film emphasize the impossibility of presenting information in a complete context.
"The strangeness of this film is laced with carefully moulded apocalypses as the filmmaker explores a vision of life beyond death – the Elysian fields of Homer, Dante’s Purgatorio, de Chirico’s stitched plain.
In the midst of a publishing revolution, The Atlanta Journal-Constitution, one of America's most storied institutions of journalism, is experimenting with new tools to tell stories in preparation for the end of print in the digital era.
Considerations on collage as a cognitive act in artists’ cinema. A pedagogical film adrift: 35mm photographs and other materials collected over the last fifteen years by artist Stefano Miraglia meet a text written by Baptiste Jopeck and the voice of Margaux Guillemard.
A woman reads the newspaper with such intensity that she gets literally devoured by it. Painted on its pages she witnesses some of the tragic events of our times, drowns in ocean trash and is threatened by the elements unleashed by climate change.
EMPATHY (a digital love letter) is a short essay documentary, a heartbreaking comedy about a break-up, an attempt to concretize emotion and evoke empathy from a writer’s approach.
Alternative movies trailers for 8th October 2016
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2016. október 8. / 8th October 2016
Népszabadság used to be Hungary's largest opposition daily and one of the most vocal critics of the government. Its editorial staff was suspended on 8th ...
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There is a visitor for local herb gatherer Doggie who has no particular need or greed for anything. His friend Chang-guk who is wanted to failure in his business and his captivating wife Seon-hwa come to see Doggie who has no choice but to give them a place to hide.
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Knokke, Belgium. A small mundane coastal town, home to the beau-monde. To compete with Venice and Cannes, the posh casino hosts the second ‘World Festival of Film and the Arts’ in 1949, organised in part by the Royal Cinematheque of Belgium.
A man wakes up to find himself alone in a train carriage. During his train journey, unexpected events will lead him through to finally discover his lost memories.
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