Sanaz Sohrabi’s video-essay Auxiliary Mirrors addresses idea of the collective camera by examining the case of Zinedine Zidane’s head-butt in the final match of the 2006 World Cup soccer. This iconic moment was constructed by the mass circulation through media, creating a plethora of images by a multitude of creators, for world-wide spectatorship. Despite being a highly documented and viewed incident, the multiplication of these factors make the “truth” about what happened between the two actors difficult to attain. Following this examination, Sohrabi turns to an archival photograph during the analog era; in which the role of the medium and its author is central.
A once-in-a-lifetime concert celebrating 15 million record-selling 13 time Grammy Award-winning, three-time CMA Award recipient, and two-time Americana Awards winner, Emmylou Harris.
Dudu is a shy boy who, in his senior year of high school, is still a virgin. This situation makes him the constant target of jokes from his inseparable friends.
Atlantis is known across the world as a myth. But is this really the truth? No matter what cultural history we explore, we discover a story very similar to the one we know about Atlantis.
After a self-destructive lifestyle nearly kills her, tormented young Anne learns to open up and let go of her traumatic past through a new found passion for boxing.
Knokke, Belgium. A small mundane coastal town, home to the beau-monde. To compete with Venice and Cannes, the posh casino hosts the second ‘World Festival of Film and the Arts’ in 1949, organised in part by the Royal Cinematheque of Belgium.
1930s Korea, in the period of Japanese occupation, a new girl, Sook-hee, is hired as a handmaiden to a Japanese heiress, Hideko, who lives a secluded life on a large countryside estate with her domineering Uncle Kouzuki.
A hardworking young man bent on saving his sick son must convince a stranger to kill an innocent student or an unknown group will detonate the bomb strapped under his coat.
