In Kino Klassika’s first film commission, British filmmaker Mark Cousins imagines a conversation between D.H.Lawrence and Sergei Eisenstein. This playful film essay carries forward Mark’s film dialogue with Eisenstein from his feature film about Eisenstein in Mexico ‘What is this film called Love?’
Mia, an aspiring actress, serves lattes to movie stars in between auditions and Sebastian, a jazz musician, scrapes by playing cocktail party gigs in dingy bars, but as success mounts they are faced with decisions that begin to fray the fragile fabric of their love affair, and the dreams they worked so hard to maintain in each other threaten to rip them apart.
Carlos is an ex-con looking for a job where he earns a lot of money without having to work hard. After discussing it with his cellmate, they conclude that the only work to fit the description is to be politician in Puerto Rico.
A man wakes up to find himself alone in a train carriage. During his train journey, unexpected events will lead him through to finally discover his lost memories.
