Lying quietly in a cine-camera, a film awaits to fulfill its responsibility of projecting 24 frames of images per second after exposure. Nonetheless, I prefer rolling out films outright and fiddling with them by pigments application, collage, scratch, cut-and-mix, etc. Since these are camera-less measures, the projection is unpredictable, surprising, and often so astonishing that I would be mesmerized.
A little girl called Eva and her dad are hunting in a post-apocalyptic world. Eva slips away from her father and ends up stumbling into an underground library, where she makes a curious encounter.
A flicker film made with images taken in Malawi.
FF was in response to an assignment given by artists Melissa Dubbin and Aaron Davidson who created the soundtrack to which they invited artists to make a “Future Film”.
Animation PV released with the "KU-RU-KU-RU Cruller!" single. It was the theme song for the Monster Strike and Love Live! Sunshine!! collaboration event.
This film is a succession of visual and aural "notes" generated by the patterns in animals' hides, which are arranged and re-edited into a complex musical architecture, developing intricate rhythms not unlike the complex syncopations found in traditional African music.
"Panic Attack!" is a hand-drawn animation from the point of view of a woman having a panic attack. I wanted the transitions between reality and her imagined fears to be seamless, so there are no edits -- it is one continually transforming drawing.
1966, United States of America: Kennedy is unable to prevent the Cuban Missile crisis in 1962, creating a nuclear winter throughout the country that seems to have no end.
After his career is destroyed, a brilliant but arrogant surgeon gets a new lease on life when a sorcerer takes him under her wing and trains him to defend the world against evil.