In my home town of Arlit, in the north of the Niger, Areva has been exploiting uranium since 1976. Today, much of this area, swept by sand winds, is contaminated. Radioactivity can not be seen and the population is not aware of the risks. This exploitation completely disorganized the life of the population. Part of the year, violent sand winds completely envelop the city. This wind of dust propagates radioactive substances. Everyone is looking for shelter. The city becomes calm, all activities are stopped. My father, a retired uranium mine worker, is at the heart of this film. He will dust off his memories, the 35 years of his passage to the mine. Thanks to my father, I go to meet other former workers who certainly have a say.
Two lost souls visiting Tokyo -- the young, neglected wife of a photographer and a washed-up movie star shooting a TV commercial -- find an odd solace and pensive freedom to be real in each other's company, away from their lives in America.
Juha, 12, class clown in the suburb of Sävbyholm, Sweden. To be funny is the only thing he is good at and all he wants is to fit in the social peckingorder at school.
When an arranged marriage brings Ada and her spirited pre-teen daughter Flora to the wilderness of 19th-century New Zealand, she finds herself locked in a battle of wills with both her controlling husband and a rugged frontiersman to whom she develops a forbidden attraction.
Starting with a long and lyrical overture, evoking the origins of the Olympic Games in ancient Greece, Riefenstahl covers twenty-one athletic events in the first half of this two-part love letter to the human body and spirit, culminating with the marathon, where Jesse Owens became the first track and field athlete to win four gold medals in a single Olympics.
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