Can a concentration camp be represented? Can a film be built on the remains of horror? A conceptual and emotional essay that breaks with hegemonic discourse. A new perspective on what has already been seen. 180-degree panoramas and extra-diegetic sounds permeate the remains of La Perla. A sensorial journey through space.
Based on the true story of two young men, David Packouz and Efraim Diveroli, who won a $300 million contract from the Pentagon to arm America's allies in Afghanistan.
1966, United States of America: Kennedy is unable to prevent the Cuban Missile crisis in 1962, creating a nuclear winter throughout the country that seems to have no end.
A teenager finds himself transported to an island where he must help protect a group of orphans with special powers from creatures intent on destroying them.
Eade is a fourteen year old girl who has spent her entire life on the spaceship Cradle. Eade and her dad are on the return journey to Earth when an explosion cripples the craft and seriously injures her father.
1930s Korea, in the period of Japanese occupation, a new girl, Sook-hee, is hired as a handmaiden to a Japanese heiress, Hideko, who lives a secluded life on a large countryside estate with her domineering Uncle Kouzuki.
Dudu is a shy boy who, in his senior year of high school, is still a virgin. This situation makes him the constant target of jokes from his inseparable friends.
Comments
Have you watched La Perla, a propósito del campo yet? What did you think about it?