Wong deals with Alain Resnais' film L’Année dernière à Marienbad (1961). The Nouvelle Vague icon is characterized by ambiguity in the narrative and innovative visual language—both elements that Wong exaggerates in his work. In L’Année dernière à Marienbad, we never learn the specific location where the action takes place—a circumstance that Wong exploits when he shoots his version in the Marienbad Café and Fuxing Park, both in Shanghai and marked by colonial influences. The overlapping of cultural codes creates moments of irritation, as does Wong's embodiment of both male and female protagonists – familiar attributions are broken down.
Dudu is a shy boy who, in his senior year of high school, is still a virgin. This situation makes him the constant target of jokes from his inseparable friends.
A hardworking young man bent on saving his sick son must convince a stranger to kill an innocent student or an unknown group will detonate the bomb strapped under his coat.
The origin story of former Special Forces operative turned mercenary Wade Wilson, who, after being subjected to a rogue experiment that leaves him with accelerated healing powers, adopts the alter ego Deadpool.
Fearing the actions of a god-like Super Hero left unchecked, Gotham City’s own formidable, forceful vigilante takes on Metropolis’s most revered, modern-day savior, while the world wrestles with what sort of hero it really needs.
After a self-destructive lifestyle nearly kills her, tormented young Anne learns to open up and let go of her traumatic past through a new found passion for boxing.
