Jeffrey Gibson’s one becomes the other (2014–2016) is set in the Native American archives and art storage of the Denver Art Museum. We see a man speaking Kiowa pick up a hand drum from a shelf and begin to play. A woman in a long, white dress with colorful patterns enters the halls, dancing in time. There is an improvised moment where an art handler asks to participate in the filming. He opens a drawer, and finds a Navajo weaving comb like his grandmother’s. He talks to the comb as if it is his deceased grandmother, bringing himself to tears. The sleeping objects are understood as living.
1930s Korea, in the period of Japanese occupation, a new girl, Sook-hee, is hired as a handmaiden to a Japanese heiress, Hideko, who lives a secluded life on a large countryside estate with her domineering Uncle Kouzuki.
The USS Enterprise crew explores the furthest reaches of uncharted space, where they encounter a mysterious new enemy who puts them and everything the Federation stands for to the test.
Lou Clark, a directionless 26-year-old from the English countryside, takes a job at the local castle as a caregiver and companion to a wealthy young banker, Will Traynor.
After supervillain Shredder escapes custody, he joins forces with mad scientist Baxter Stockman and two dimwitted henchmen, Bebop and Rocksteady, to unleash a diabolical plan to take over the world.
After a self-destructive lifestyle nearly kills her, tormented young Anne learns to open up and let go of her traumatic past through a new found passion for boxing.
Fearing the actions of a god-like Super Hero left unchecked, Gotham City’s own formidable, forceful vigilante takes on Metropolis’s most revered, modern-day savior, while the world wrestles with what sort of hero it really needs.
