In Out Of The Rubble, Woolcock shows how planners grappled with the grimmest poverty imaginable in the post-war era, from Brixton to Glasgow, Islington to Birmingham, believing that tower blocks would transform the lives of those living in decaying slums. She follows the cycle of optimism, building and eventual decline, meeting people who 50 years on bear witness to the effects of housing on real families, striking a contemporary chord with the theme of immigration and gentrification affecting working class communities. The irresistible nostalgia of scenes from the 1950s, 60s and 70s is tempered by a realisation of the force of history at work.
A true Canadian iconoclast, acclaimed transgender country/electro-pop artist Rae Spoon revisits the stretches of rural Alberta that once constituted “home” and confronts memories of growing up queer in an abusive, evangelical household.
An exploration of Soviet director Sergei Eisenstein's notes and drawings for a science fiction movie that he pitched to Paramount in 1930 about the residents of a skyscraper with walls and floors of clear glass.
Bartolomé, a teacher in a multigrade school on the mountains of Chiapas in Mexico, knows well that pedagogy is not based on textbooks and cannot fit behind the four walls of a classroom.
In Justiça, Maria Ramos puts a camera where many Brazilians have never been – a criminal courtroom in Rio de Janeiro, following the daily routine of several characters.
Friends and admirers of iconoclastic film director Sam Fuller read from his memoirs in this unconventional documentary directed by Fuller's only child, Samantha.
The remarkable, forgotten story behind David Bowie’s biggest-ever hit record – and how an unlikely journey, deep into the Australian outback, led to its unprecedented success.
The saga of a movie treatment written by German playwright Bertolt Brecht during his unhappy stint in Hollywood based on a Life Magazine article about a farm family who win a week's stay in a model home at the Ohio State Fair, with the catch that they will be on display to the public.
Filmmaker Molly Gandour, in her mid-20s, returns to her childhood home in Indiana to speak with her parents in depth for the first time about her sister's death from cancer sixteen years earlier.
Set deep in the traditional territory of Tahltan First Nation, Northern British Columbia’s Red Chris gold and copper mine is the backdrop to a lyrical tapestry of landscapes and diverse personal stories from the land.
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