Is it legitimate to want to define the limits of a territory, or does this amount to removing them from the only domain where they can become fulfilled: the interiority of the one who expresses them, in this case her father? And if this is the case, how, in a respectful way, to map the notion of territory? Every effort of spatialisation is, for her father, at once mental and physical. Walking, her father traces out his land both mentally and physically. Experience plays a fundamental role in the tracing of a territory. Zineb Sedira plays with this divide between ‘interiority’—the mental apprehension of the world—and ‘physicality’—the physical materialisation of a territory. Is not the notion of territory inseparable from the experience of the body? The two heterogeneous notions of body and territory seem here, in the experience of her father, consubstantial with the representation of land. A perception of territory at once precise and hazy emanates from such a standpoint.
Atlantis is known across the world as a myth. But is this really the truth? No matter what cultural history we explore, we discover a story very similar to the one we know about Atlantis.
From award winning director Naeem Mahmood, comes Brash Young Turks, a bold debut feature telling a fast paced struggle of love, crime and power, against all odds.
A man wakes up to find himself alone in a train carriage. During his train journey, unexpected events will lead him through to finally discover his lost memories.
A hardworking young man bent on saving his sick son must convince a stranger to kill an innocent student or an unknown group will detonate the bomb strapped under his coat.
Knokke, Belgium. A small mundane coastal town, home to the beau-monde. To compete with Venice and Cannes, the posh casino hosts the second ‘World Festival of Film and the Arts’ in 1949, organised in part by the Royal Cinematheque of Belgium.
After a self-destructive lifestyle nearly kills her, tormented young Anne learns to open up and let go of her traumatic past through a new found passion for boxing.
1930s Korea, in the period of Japanese occupation, a new girl, Sook-hee, is hired as a handmaiden to a Japanese heiress, Hideko, who lives a secluded life on a large countryside estate with her domineering Uncle Kouzuki.
