Stage director Vincent Huguet takes up eternal themes—liberation and courage, devotion and doubt, tragedy and acceptance—to stage three histoires sacrées (sacred histories) written by Marc-Antoine Charpentier more than 300 years ago. The economical use of a small instrumental ensemble over Latin vocal lines creates space for sublime surprises: more than abrupt mood changes or an unexpected fortissimo, we become attuned to the slightest dissonance, the delicate softness of instruments in unison, the briefest moments of silence. After three centuries, the drama of the work hits just as potently in the 21st century.
After a self-destructive lifestyle nearly kills her, tormented young Anne learns to open up and let go of her traumatic past through a new found passion for boxing.
After losing her daughter and a difficult divorce, an attractive woman finds herself exploring the world of online dating, but her adventures lead her into a web of lies and risky behavior.
1930s Korea, in the period of Japanese occupation, a new girl, Sook-hee, is hired as a handmaiden to a Japanese heiress, Hideko, who lives a secluded life on a large countryside estate with her domineering Uncle Kouzuki.
1966, United States of America: Kennedy is unable to prevent the Cuban Missile crisis in 1962, creating a nuclear winter throughout the country that seems to have no end.
From award winning director Naeem Mahmood, comes Brash Young Turks, a bold debut feature telling a fast paced struggle of love, crime and power, against all odds.
Taking place after alien crafts land around the world, an expert linguist is recruited by the military to determine whether they come in peace or are a threat.
