Like a Santiago Álvarez squared (or multiplied by 4K, to be more precise), Siegfried A. Fruhauf –a descendant of Austria’s Great Generation of Tscherkassky, Deutsch and Arnold– rede- fines with Vintage Print the power of film as imagination, at the service of an amazing economy of resources. If the pioneer of Cuban montage cinema became immortal when he left us his phrase “give me two photographs, a moviola, and some music, and I’ll make you a film,” Fruhauf slims down that recipe by cre- ating thirteen hyperkinetic minutes out of a single, century-old glass negative in decomposition. Ranging from figurative to ab- stract art, analogy to digital, and documentary to experimental, Vintage Print’s definitive achievement is that it reverses a road movie in its own terms, and the first thing that is left behind is the very same notion of cinema.
In his film 'La tête dans les nuages' ('Head in the Clouds') Jean-Marie Teno criticizes the ills of the modern world and the regression of African societies.
A hardworking young man bent on saving his sick son must convince a stranger to kill an innocent student or an unknown group will detonate the bomb strapped under his coat.
From award winning director Naeem Mahmood, comes Brash Young Turks, a bold debut feature telling a fast paced struggle of love, crime and power, against all odds.
1930s Korea, in the period of Japanese occupation, a new girl, Sook-hee, is hired as a handmaiden to a Japanese heiress, Hideko, who lives a secluded life on a large countryside estate with her domineering Uncle Kouzuki.
After losing her daughter and a difficult divorce, an attractive woman finds herself exploring the world of online dating, but her adventures lead her into a web of lies and risky behavior.
In 1926, Newt Scamander arrives at the Magical Congress of the United States of America with a magically expanded briefcase, which houses a number of dangerous creatures and their habitats.
Carlos is an ex-con looking for a job where he earns a lot of money without having to work hard. After discussing it with his cellmate, they conclude that the only work to fit the description is to be politician in Puerto Rico.
Lou Clark, a directionless 26-year-old from the English countryside, takes a job at the local castle as a caregiver and companion to a wealthy young banker, Will Traynor.
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Have you watched Vintage Print yet? What did you think about it?
