Paul Gilroy argues that memories of slavery are manifest (through their metaphorical displacement by lyrics of lost love) in current Black music. Lost love itself is thus the key metaphor in Black popular culture’s commentary on the failed promises of ‘modernity.’ Through a set of vignettes inspired by Gilroy, Voices of our Mothers: Transcending Time and Distance shows how song, oral history, dance and improvisation function as archival and living forms of history.
Carlos is an ex-con looking for a job where he earns a lot of money without having to work hard. After discussing it with his cellmate, they conclude that the only work to fit the description is to be politician in Puerto Rico.
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Have you watched Voices of Our Mothers: Transcending Time and Distance yet? What did you think about it?
