The lives of Luhli and Lucina, two especially important artists in the alternative cultural scene during the 1970s. In a time when transgression, love and peace guided behavior, we discover the love of two women for art, their spiritual universe, their lives in community and their three-way relationship with photographer Luiz Fernando Borges da Fonseca.
More movie trailers, teasers, and clips from Yorimatã:
Yorimatã [official Trailer]
Duas mulheres em meio ao movimento hippie dos anos 70 se unem pelo sonho de liberdade. Luhli e Lucina vivem em seu cotidiano criativo de uma ...
Yorimatã (trailer)
Yorimatã (trailer
Yorimatã - Teaser Original
Luhli e Lucina são duas mulheres brasileiras que buscam liberdade no movimento hippie nos anos 1970. Elas desenvolvem composições musicais ...
"Yorimatã" de Rafael Saar | Trailer
Luhli e Lucina buscaram liberdade no movimento hippie nos anos 1970. Além da frutífera parceria musical as mulheres viveram um relacionamento a três com ...
Yorimatã
Luhli e Lucina são duas mulheres brasileiras que buscam liberdade no movimento hippie nos anos 1970. Elas desenvolvem composições musicais ...
Yorimatã - Rafael Saar [AGENDA]
Facebook: Documentário "Yorimatã" de Rafael Saar retrata a trajetória dentro e fora dos palcos de Luhli e Lucinha ...
Popular movie trailers from 2016
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WWII American Army Medic Desmond T. Doss, who served during the Battle of Okinawa, refuses to kill people and becomes the first Conscientious Objector in American history to receive the Congressional Medal of Honor.
After losing her daughter and a difficult divorce, an attractive woman finds herself exploring the world of online dating, but her adventures lead her into a web of lies and risky behavior.
1930s Korea, in the period of Japanese occupation, a new girl, Sook-hee, is hired as a handmaiden to a Japanese heiress, Hideko, who lives a secluded life on a large countryside estate with her domineering Uncle Kouzuki.
"Panic Attack!" is a hand-drawn animation from the point of view of a woman having a panic attack. I wanted the transitions between reality and her imagined fears to be seamless, so there are no edits -- it is one continually transforming drawing.
