Maison d'Être is an exploratory documentary about people's emotional place attachment in highly dynamic Greater Paris undergoing large-scale urban renewal campaigns. Parisien suburbia has been a frontier between world civilisations where wellbeing encounters despair. Here local habits get confronted by government-sponsored plans for urban transformation and social aid. In Paris "home" manifests itself as one of the key existential challenges of the modern culture - a "raison d'être" of everyday life. The film is addressed to both professional audiences of urbanists, city planners, architects, and curious public. It displays numerous conversations among residents, city activists, politicians, city planners and scientists, those who reflect on the regeneration strategy of the socially depressed urban neighbourhoods.
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The short documentary film-"tesaer" (later, based on the material, the director will shoot a full-length film) is based on the fate of the Floriculture Pavilion of the former Exhibition of Achievements of the People's Economy, and its elderly employee Valentyna Voronina, who maintains this space, investing her own life into it, until suddenly changes come to her.
Oskar's deepest wish is to be able to ride on the prairie with his mother over summer break. But alas, everything turns out differently than expected and the 10-year-old is forced to spend his vacation on his grumpy grandfather's farm.
After Hurricane Katrina, New Orleans handyman and blues singer-songwriter Gabe Recolte was bereft. Left homeless and heartbroken, he had been forced to evacuate and relocate before he could tell club owner Hattie how much he cares for her.
Thirty years after the events of the first film, a new blade runner, LAPD Officer K, unearths a long-buried secret that has the potential to plunge what's left of society into chaos.
For Agatha, Christmas triggers sadness. She yearns for freedom laced with imagination, when magical creatures were part of a game played with friends in the forest.
Envy and conspiracy, but also passionate loves, jealousy, revenge and final forgiveness come together in the masterpiece of Verdi, which aroused the anger and prohibitions of censors of the time until the composer and librettist was compelled to make changes in it: from the original Sweden to far away Boston.
The room laundering where she was a "poor girl" is to move into a house or an accident property for a certain period of time, and to eliminate the obligation to notify the accident property ([Instruction of important matters]), and to live in that room free of charge.
Description by Ken Jacobs: Get Up and Go is a glimpse given dimension. No day is complete without a visit to Chinatown and on this day my movie camera caught a woman rising from a bench.
In the summer of 1983, a 17-year-old Elio spends his days in his family's villa in Italy. One day Oliver, a graduate student, arrives to assist Elio's father, a professor of Greco-Roman culture.
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