“I don’t believe in ghosts but I do believe places can be haunted by meaning. Places change, not always for the better and not always by natural, benevolent or politically sound means. A place can be charged with atmosphere because of what it has been through or what it has been. Phantom Brickworks is a collection of mostly improvised musical pieces, that for some years now, have provided me with a mental portal into places and times - some real, some imaginary, some a combination of both. Human beings are highly sensitive to the atmospheres of places, which can be enhanced or dramatically altered when you learn about the context of their history. Echoes and voices can sometimes be heard, in some way or another. Places sometimes have things to say.” — Bibio
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Shakespeare's King Lear is reimagined as a singular historical epic set in sixteenth-century Japan where an aging warlord divides his kingdom between his three sons.
David Rimmer's avant-garde classic takes a single film fragment of a factory worker unraveling a sheet of cellophane, and alters it through a mesmerizing series of spectral apparitions and alchemical and sonic permutations.
Filmed in September of 2012, this self-confessed sci-fi documentary follows life at Mexico while reflection on what happens using Wagner's music and quotes from Raw Materials for a Theory of the Young Girl.
Jonas Mekas transforms footage of the Ringling Brothers Circus into a rapid-fire montage set to music, structured in four segments that highlight different acts.
A boxing ring turns into a stage for abstract animation where the punches thrown in the match and the halftone dots in reprographics gradually become indistinguishable.
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After Porn Ends 2 picks up where its predecessor left off and not only turns back the clock to meet the oldest living stars in adult film's history, but goes in depth with some of Its most current retirees and juxtaposes their experiences in a life after porn.
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The Near East Foundation, known initially as Near East Relief, spearheaded this first great mobilization of international humanitarian assistance in the United States, in September 1915, in response to the Armenian Genocide.
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