Set in the remnants of hippie trails in India, the film draws from the history of 1960s counterculture groups and their appropriation of spiritual ideas as a phenomenon contemporaneous with the development of the personal computer and cybernetics. No longer as active as they once were, these trails still bear the signs of the techno-fictional—overlaid with ancient spiritual regimens. As computers proposed that machine activity could replace the mind, counterculture considered whether religious or mystical experience could be recreated through technical means, as customisable 'internal technologies'. This decay of the ‘Empire of Equilibrium’—the once-aspired-to state of universal harmony—exemplified by psychedelic posters, cheap reworks of surrealist paintings and local mixes of religio-techno-fusion music, forms the central audio-visual schematic of the project.
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