The soundtrack of Discrepancy, read by the computer voice “Alex,” is adapted from the film Traité de bave et d’éternité (1951) by Isidore Isou. The film is Isou’s manifesto of cinéma discrepant. The fundamental principle of “discrepant cinema” is a disregard of the image in order to privilege written narration. There is no attempt to illustrate the text. The relation of sound and image can—indeed, should—be as arbitrary and opaque as possible. Furthermore, the images are often “chiseled,” i. e., scratched, dirtied, splattered with ink and distressed beyond recognition. Isou engaged in a perverse iconoclasm in a medium conventionally understood to be primarily visual. In his manifesto, he argued that he did violence to the image in order to renew the film medium. He also asserted that “any novelist can make a film without spending a penny.”
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The Near East Foundation, known initially as Near East Relief, spearheaded this first great mobilization of international humanitarian assistance in the United States, in September 1915, in response to the Armenian Genocide.
How can we ethically build sustainable industry in developing countries? In a David-and-Goliath battle over the land on the luscious mountain peninsula in the centre of Port Moresby in Papua New Guinea, Joe Moses, leader of the Paga Hill Settlement, must save his 3,000 people before they are evicted.
The room laundering where she was a "poor girl" is to move into a house or an accident property for a certain period of time, and to eliminate the obligation to notify the accident property ([Instruction of important matters]), and to live in that room free of charge.
When a change of circumstances leaves Miriam unable to pay her college tuition, she makes a surprising decision: to start performing in adult films, using the pseudonym Belle Knox.
In the summer of 1976, a shared family yard becomes the setting, as the adults bicker over selling the garden and the kids are free to explore the mysterious neighboring lot.
An act of violence resonates through the night, touching upon the lives of different characters, who otherwise would not necessarily exist in each other’s daily narrative.
The short documentary film-"tesaer" (later, based on the material, the director will shoot a full-length film) is based on the fate of the Floriculture Pavilion of the former Exhibition of Achievements of the People's Economy, and its elderly employee Valentyna Voronina, who maintains this space, investing her own life into it, until suddenly changes come to her.
Description by Ken Jacobs: Get Up and Go is a glimpse given dimension. No day is complete without a visit to Chinatown and on this day my movie camera caught a woman rising from a bench.
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