Based on the example of a village inn, the film portrays an escalating generational conflict—and the difficult handing down of responsibility, space, and tradition.
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“Sketch XXX (work in progress)” in addition to its “poetic” and “political” content also brings the spectator to his capacity for revolt as an individual before being carried away by an obedient and non-thinking collective membership … The gradual erasure of our antagonistic individual-collective concepts will perhaps help us as individual-collective to imagine that perhaps all the elements of the living being connected this invalidates all “individualist” attempts.
During the busy run-up to Christmas, a single-take snapshot of the immense stress and skills of a talented head chef reveals that things are about to burst behind the restaurant's flash façade.
Submersed in "bro" culture, a fraternity brother's obsession with a poem and its poetess begin to inform him more about himself than he is ready to accept.
Eight student eyewitnesses from Stuyvesant High School in New York City recount their experiences of the Twin Towers attack on September 11, 2001, who as young teenagers, found themselves fleeing debris in the heart of the danger zone and faced with a harrowing journey home.