The 2018/19 Margaret Tait Award commission by Alberta Whittle. Whittle’s film seeks to challenge conditions of racialised abjection and find new methods for refusal. A chief linkage is the sonic cosmologies found in Kamau Brathwaite’s research on ‘tidalectics’, and Christina Sharpe’s work on The Weather. Sharpe positions The Weather as a lens to understand the inescapable conditions within the afterlife of slavery, while Brathwaite’s theories of ‘tidalectics’ expose the performativity of sound, revealing memories of transoceanic life.
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Peter Parker and his friends go on a summer trip to Europe. However, they will hardly be able to rest - Peter will have to agree to help Nick Fury uncover the mystery of creatures that cause natural disasters and destruction throughout the continent.
Los Angeles, 1969. TV star Rick Dalton, a struggling actor specializing in westerns, and stuntman Cliff Booth, his best friend, try to survive in a constantly changing movie industry.
“Sketch XXX (work in progress)” in addition to its “poetic” and “political” content also brings the spectator to his capacity for revolt as an individual before being carried away by an obedient and non-thinking collective membership … The gradual erasure of our antagonistic individual-collective concepts will perhaps help us as individual-collective to imagine that perhaps all the elements of the living being connected this invalidates all “individualist” attempts.
On All Saints’ Day, the Spanish pay tribute to their dead: a day of reverence and remembrance. Nevertheless, beneath the serene surface lie unhealed grief, thundering silence and ever-burning political conflicts.
