A disfigured musical genius, hidden away in the Paris Opera House, terrorises the opera company for the unwitting benefit of a young protégée whom he trains and loves.
A writer touched by tragedy that has prevented him producing a follow-up to his celebrated first novel gains a new perspective on life when he meets a blind woman who is unaware as to who he is.
A single night tells the story of Lucía (Emilia Attias), a 36-year-old woman who has just separated from her partner, and on a failed trip to New York she meets Horacio (Naim Sibara), a man who seems to have lived all his life.
A budding young love, moving from the blissful early stages of carnival-won stuffed animals and selfies to a gradually more jealous, controlling and abusive relationship.
A magic realist fable about invisible elves, financial collapse and the surprising power of belief, told through the story of an Icelandic woman - a real life Lorax who speaks on behalf of nature under threat.
Set in an apocalyptic era, The Journey tells the story of Adrian, played by Richards, who lived during the post-apocalyptic era where humans have become barbaric and murderous creatures.
It’s the bitterly cold Winter of 1979 as Rusty types furiously in his trailer. His fiancé had just left him at the alter and in response, Rusty uproots himself from Minnesota and relocates to the middle of nowhere.
The love story of sixteen-year-old Arturs is interrupted by the First World War. After losing his mother and his home, he finds some consolation in joining the army, because this is the first time national battalions are allowed in the Russian Empire.
“Sketch XXX (work in progress)” in addition to its “poetic” and “political” content also brings the spectator to his capacity for revolt as an individual before being carried away by an obedient and non-thinking collective membership … The gradual erasure of our antagonistic individual-collective concepts will perhaps help us as individual-collective to imagine that perhaps all the elements of the living being connected this invalidates all “individualist” attempts.
Comments
Have you watched Boishakhi Hawa yet? What did you think about it?