Over the course of a ten-year postal correspondence, a pair of movie-going pen-pals share their thoughts on some of 90s cinema’s key traits: the rise of video, the need for speed, and of course the cliff-edge sense of global dread. But do decades have ‘key traits’ at the time? Or do we assign them these characteristics retroactively, trying to make sense of things in hindsight? Only Leonard Nimoy knows for sure.
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“Sketch XXX (work in progress)” in addition to its “poetic” and “political” content also brings the spectator to his capacity for revolt as an individual before being carried away by an obedient and non-thinking collective membership … The gradual erasure of our antagonistic individual-collective concepts will perhaps help us as individual-collective to imagine that perhaps all the elements of the living being connected this invalidates all “individualist” attempts.
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