Endarchiv examines the symbolic process of disposal and forgetting while raising the question how to take care of the emotional and performative remains of the GDR and its oppositional movements. The film maker Anna Zett is seen spray painting short questions and statements onto large mounds of pebble gravel, where every step leads to a rockslide. The action is interspersed with found footage filmed by Klaus Freymuth, showing demonstrators writing and painting onto the East side of the Berlin Wall shortly after the border was opened in November 1989.
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A brooding, alcoholic police officer with a painful past is sent, against his will, to a government guest house high up in the icy cold, mountains of Himachal Pradesh to investigate the death of a 17 year old girl.
“Sketch XXX (work in progress)” in addition to its “poetic” and “political” content also brings the spectator to his capacity for revolt as an individual before being carried away by an obedient and non-thinking collective membership … The gradual erasure of our antagonistic individual-collective concepts will perhaps help us as individual-collective to imagine that perhaps all the elements of the living being connected this invalidates all “individualist” attempts.
