A body of poetry about getting distracted in an intensely focussed way, about finding everything in the smallest gesture. These films mesh Structural film strategies with the elastic potential of contemporary digital imaging technologies, pointing to their own construction in order to talk about the way the moving image mediates and functions in contemporary society. The films are also very associative, drawing out connection and narrative from disparate recorded moments.
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Eight student eyewitnesses from Stuyvesant High School in New York City recount their experiences of the Twin Towers attack on September 11, 2001, who as young teenagers, found themselves fleeing debris in the heart of the danger zone and faced with a harrowing journey home.
A brooding, alcoholic police officer with a painful past is sent, against his will, to a government guest house high up in the icy cold, mountains of Himachal Pradesh to investigate the death of a 17 year old girl.
During the busy run-up to Christmas, a single-take snapshot of the immense stress and skills of a talented head chef reveals that things are about to burst behind the restaurant's flash façade.
Maleficent and her goddaughter Aurora begin to question the complex family ties that bind them as they are pulled in different directions by impending nuptials, unexpected allies, and dark new forces at play.
On All Saints’ Day, the Spanish pay tribute to their dead: a day of reverence and remembrance. Nevertheless, beneath the serene surface lie unhealed grief, thundering silence and ever-burning political conflicts.
Set in an apocalyptic era, The Journey tells the story of Adrian, played by Richards, who lived during the post-apocalyptic era where humans have become barbaric and murderous creatures.
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