An essay on parastatal violence that establishes links and points of contact between two little-known moments in Argentine history: the action of the CNU (Concentración Nacional Universitaria) in the seventies and the actions of neo-fascist groups in the present.
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A brooding, alcoholic police officer with a painful past is sent, against his will, to a government guest house high up in the icy cold, mountains of Himachal Pradesh to investigate the death of a 17 year old girl.
Mari and Humi learn from their mother that their father has dementia on his 70th birthday. They help prepare their mother for his farewell and prepare themselves for the emotions to follow.
Set in an apocalyptic era, The Journey tells the story of Adrian, played by Richards, who lived during the post-apocalyptic era where humans have become barbaric and murderous creatures.
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“Sketch XXX (work in progress)” in addition to its “poetic” and “political” content also brings the spectator to his capacity for revolt as an individual before being carried away by an obedient and non-thinking collective membership … The gradual erasure of our antagonistic individual-collective concepts will perhaps help us as individual-collective to imagine that perhaps all the elements of the living being connected this invalidates all “individualist” attempts.
On All Saints’ Day, the Spanish pay tribute to their dead: a day of reverence and remembrance. Nevertheless, beneath the serene surface lie unhealed grief, thundering silence and ever-burning political conflicts.
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