Daytime. A pair of lovers enter a house deserted by a flood. She has run away from home. He is not in a condition to start a life with her. The wind blows heavy in the fields of long grass.
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After losing his wife and son in a traffic accident, Kemal finds himself in trouble. Murat, Kemal's police officer friend, tries to help Kemal stay out of trouble.
A hardened cop deals with three conflicting perspectives involving a brutal double murder. The case is complicated as the prime suspects are the parents who supposedly killed their teenage daughter.
Şerif Ağa wants to marry the girl, who works with her, to a rich man. Zeynep resists but when she hears that the young man he loves will be killed, she has to accept it.
Challenging the Western view that Islam inherently represses women’s rights, journalist Samira Ahmed travels across the world examining Islamic customs as they relate to women.
Nassif al-Leithi is a very loyal merchant for business colleague Hussein Zahran. Hussein Zahran was surprised by the betrayal of his wife and killed her.
When Neelesh, an idealistic law student from a marginalised section of society, steps into a prestigious institution, he is thrust into a world that doesn't reflect his own.
Madhukar and Parthavi fall head over heels in love with each other, but the fact that they belong to different castes of society, becomes an obstacle in their romance.
In a small village not too far from Delhi, three lives explode around taboos of love and lust. Diksha, still just a girl, is caught unguarded on camera, besmirching the "honor" of her parents.
It’s the bitterly cold Winter of 1979 as Rusty types furiously in his trailer. His fiancé had just left him at the alter and in response, Rusty uproots himself from Minnesota and relocates to the middle of nowhere.
This film is a true-crime thriller that goes behind the headlines to uncover the deep-seated and social media-fueled “boys will be boys” culture at the root of high school sexual assault in America.
“Sketch XXX (work in progress)” in addition to its “poetic” and “political” content also brings the spectator to his capacity for revolt as an individual before being carried away by an obedient and non-thinking collective membership … The gradual erasure of our antagonistic individual-collective concepts will perhaps help us as individual-collective to imagine that perhaps all the elements of the living being connected this invalidates all “individualist” attempts.