Annisa married Bara, a widower with a daughter named Lara. Bara takes a picnic to the island that is still rarely visited by tourists, Bengalor Island, so that his wife and child could get familiar with each other. The island of Bengalor turns out to be a mystery. Annisa is surprised by the appearance of a scary child. Lara also sees a figure similar to her biological mother who is dead. Bara doesn't believe the story of Annisa and Lara. This scary and tense atmosphere actually bring Lara closer to Annisa. Both are determined to protect each other.
Watch the official Perjanjian dengan Iblis 2019 trailer in HD below.
Alternative movies trailers for Perjanjian dengan Iblis
More movie trailers, teasers, and clips from Perjanjian dengan Iblis:
Perjanjian Dengan Iblis - Official Trailer | 10 Januari 2019 di Bioskop
ANNISA (24 th) menikah dengan BARA (32 th) duda dengan seorang anak perempuan bernama LARA (8 th). Bara ingin agar kedua orang yang dicintainya ...
Perjanjian dengan Iblis
Film ini menceritakan seseorang bersekutu dengan iblis #Movie.
PERJANJIAN DENGAN IBLIS TRAILER (2019) FILM HOROR | TRAILER FILM BIOSKOP TERBARU
TRAILER FILM BIOSKOP TERBARU | OFFICIAL TRAILER | SNEAK PEAK | REVIEW FILM TERBARU | FILM BIOSKOP TERBARU | FILM TERBARU | FILM ...
Perjanjian dengan Iblis 10 Januari 2019 Movie Trailer Indonesia
Hi Movie Freaks Dont forget Subscribe Now! To get another movie trailers Perjanjian dengan Iblis (10 Januari) | Sutradara: Ardy Octaviand | Pemain: Shandy ...
Perjanjian Dengan Iblis - Official Trailer Reaction | Artika Sari Devi
ANNISA (24 th) menikah dengan BARA (32 th) duda dengan seorang anak perempuan bernama LARA (8 th). Bara ingin agar kedua orang yang dicintainya ...
Perjanjian Dengan Iblis (2019) || New Horor Movie
Perjanjian Dengan Iblis (2019) Film ini rencananya akan rilis dan tayang pada tanggal 9 januari 2019 di bioskop bioskop seluruh indonesiafilm yang ...
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Over 30 filmmakers and friends of Strand Releasing have come together to honor the company’s indelible contribution to independent cinema over the past thirty years.
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“Sketch XXX (work in progress)” in addition to its “poetic” and “political” content also brings the spectator to his capacity for revolt as an individual before being carried away by an obedient and non-thinking collective membership … The gradual erasure of our antagonistic individual-collective concepts will perhaps help us as individual-collective to imagine that perhaps all the elements of the living being connected this invalidates all “individualist” attempts.
