Briggs Sheridan can't chase his gambling-dragon fast enough, and when it looks to cost him more than a few broken limbs, he unwittingly puts more skin in the game than intended.
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Leonard Shelby is tracking down the man who raped and murdered his wife. The difficulty of locating his wife's killer, however, is compounded by the fact that he suffers from a rare, untreatable form of short-term memory loss.
The small Town Grover's Bend is in for trouble once again as a misfit ship of Crites crash lands into a area strip mall causing havoc and death to patrons through the town.
After a dreadful incident coupled with an ungovernable paroxysm of violence, a butcher will fall into a downward spiral that will burn to the ground whatever dignity still remained in him.
When legendary hunter Bob Rainsford is shipwrecked on the perilous reefs surrounding a mysterious island, he finds himself the guest of the reclusive and eccentric Count Zaroff.
In the middle of woods inhabited by wolves, an astrologist imagines what it would be like to be a werewolf, running and howling through the woods in a schizophrenic blur instead of sitting in his home watching videos.
8,000 years in the future, two crewmembers, Rand and Shapiro, survive the crash-landing of their spacecraft on an uncharted planet made up entirely of sand.
The love story of sixteen-year-old Arturs is interrupted by the First World War. After losing his mother and his home, he finds some consolation in joining the army, because this is the first time national battalions are allowed in the Russian Empire.
Set in an apocalyptic era, The Journey tells the story of Adrian, played by Richards, who lived during the post-apocalyptic era where humans have become barbaric and murderous creatures.
On All Saints’ Day, the Spanish pay tribute to their dead: a day of reverence and remembrance. Nevertheless, beneath the serene surface lie unhealed grief, thundering silence and ever-burning political conflicts.
“Sketch XXX (work in progress)” in addition to its “poetic” and “political” content also brings the spectator to his capacity for revolt as an individual before being carried away by an obedient and non-thinking collective membership … The gradual erasure of our antagonistic individual-collective concepts will perhaps help us as individual-collective to imagine that perhaps all the elements of the living being connected this invalidates all “individualist” attempts.