My film tells a story of a director trying to make films, describing a freakish and twisted yet "prosperous and flourishing age" of Chinese film industry through the process of protagonist, Chen Feng, looking for investments of his film. It is like a Mobius strip and he is going through dream after dream just like Inception and cannot get out. He knows more about what film actually is than those asshole investors. However, the stay remains at his road to pursuit someone else’s shadow and cannot pursue his dream.
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“Sketch XXX (work in progress)” in addition to its “poetic” and “political” content also brings the spectator to his capacity for revolt as an individual before being carried away by an obedient and non-thinking collective membership … The gradual erasure of our antagonistic individual-collective concepts will perhaps help us as individual-collective to imagine that perhaps all the elements of the living being connected this invalidates all “individualist” attempts.
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