"Spinning" is a self-portrait performance against the backdrop of a tumultuous external landscape. Drawing inspiration from the trailblazing camera movements exemplified in John Porter's "Cinefuge 4" (1980), and the avant-garde cemetery scene in Sergio Leone's masterpiece, "The Good, The Bad and the Ugly" (1966), this short film captures a symphony of perfect chaos. "Spinning" is a tapestry centered on the self.
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