Rayner utilizes labour-intensive, hand-drawn stop-motion animations, utilising the methodology of animating to construct fictional narratives to approximate a sense of reality. The works move tonally towards soft-core science fiction, in pursuit of a state of weirdness: a disconnection of understanding coupled with stabilising scenarios, the artist attempts to visually preview scenarios in order to do the future self a ‘solid’ by predicting obstacles and self-fulfilling cycles. The work looks through an un-reality to something that is close to an anxiousness about the future.
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During the busy run-up to Christmas, a single-take snapshot of the immense stress and skills of a talented head chef reveals that things are about to burst behind the restaurant's flash façade.
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During the 1980s, a failed stand-up comedian is driven insane and turns to a life of crime and chaos in Gotham City while becoming an infamous psychopathic crime figure.