A man, literally with no face wakes up. He blindly stumbles across the room to put on one of a selection of faces hanging there. A frowning man at the store takes his money. Everyone’s stares at him on the street, and his big grin goes away. He sees a girl smiling at him from the front of the bus and his smile grows back.
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“Sketch XXX (work in progress)” in addition to its “poetic” and “political” content also brings the spectator to his capacity for revolt as an individual before being carried away by an obedient and non-thinking collective membership … The gradual erasure of our antagonistic individual-collective concepts will perhaps help us as individual-collective to imagine that perhaps all the elements of the living being connected this invalidates all “individualist” attempts.
On All Saints’ Day, the Spanish pay tribute to their dead: a day of reverence and remembrance. Nevertheless, beneath the serene surface lie unhealed grief, thundering silence and ever-burning political conflicts.
Submersed in "bro" culture, a fraternity brother's obsession with a poem and its poetess begin to inform him more about himself than he is ready to accept.
Mari and Humi learn from their mother that their father has dementia on his 70th birthday. They help prepare their mother for his farewell and prepare themselves for the emotions to follow.
When the owner of an old age home, that delivers home-cooked food to people to meet the expenses of its residents, is diagnosed with cancer, a young girl helps upgrade the service to an online business model and raise funds for the owner's treatment.
A brooding, alcoholic police officer with a painful past is sent, against his will, to a government guest house high up in the icy cold, mountains of Himachal Pradesh to investigate the death of a 17 year old girl.
It’s the bitterly cold Winter of 1979 as Rusty types furiously in his trailer. His fiancé had just left him at the alter and in response, Rusty uproots himself from Minnesota and relocates to the middle of nowhere.
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