NASA roboticist and Curiosity rover driver Vandi Verma works on Mars on a daily basis from her desk at Jet Propulsion Laboratory in Pasadena, Los Angeles. Her work is entirely reliant on images and the technologically advanced use of them. The film creates a philosophical journey into the intriguing world of Mars science. Through the lenses of various experts, we learn how NASA’s images are made, used, and manipulated for the sake of science, but also public information. Mars is the ideal place for an investigation into our paradoxical relationship to photography. Do images reflect reality or shape it?
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“Sketch XXX (work in progress)” in addition to its “poetic” and “political” content also brings the spectator to his capacity for revolt as an individual before being carried away by an obedient and non-thinking collective membership … The gradual erasure of our antagonistic individual-collective concepts will perhaps help us as individual-collective to imagine that perhaps all the elements of the living being connected this invalidates all “individualist” attempts.
On All Saints’ Day, the Spanish pay tribute to their dead: a day of reverence and remembrance. Nevertheless, beneath the serene surface lie unhealed grief, thundering silence and ever-burning political conflicts.
