Young refugee storytellers curate their own prized possessions. Then, they collaborate with a team of digital artists and documentarians on a series of short films and “show and tell” multimedia events. For example, a shipping container is outfitted with luminous LED screens showcasing “video ads” for refugees’ “memory objects.” Inside the shipping containers, short documentaries are shown, followed by immersive video chats. Immersive media installations have been presented at UC Berkeley’s Magnes Collection of Jewish Art and Life and –in collaboration with Shared Studios– on New York’s Times Square.
Watch the official What We Carry With Us: Refugee Storylabs 2019 trailer in HD below.
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While the Civil War rages on between the Union and the Confederacy, three men – a quiet loner, a ruthless hitman, and a Mexican bandit – comb the American Southwest in search of a strongbox containing $200,000 in stolen gold.
A woman on the run from the mob is reluctantly accepted in a small Colorado community in exchange for labor, but when a search visits the town, she learns that their support has a price.
Inspired by true events, this film takes place in Rwanda in the 1990s when more than a million Tutsis were killed in a genocide that went mostly unnoticed by the rest of the world.
At the end of the World War II and the middle of the Chinese Revolution, three couples from different backgrounds with different nationalities flee from China to the island of Taiwan.
A stranger enters into and forever alters the life of a couple. He claims to be pursued by certain authorities who intend to prevent him from disclosing a secret that only he holds, whence the title.
A pub landlord in a previously thriving mining community struggles to hold onto his pub. Meanwhile, tensions rise in the town when Syrian refugees are placed in the empty houses in the community.
During the 1980s, a failed stand-up comedian is driven insane and turns to a life of crime and chaos in Gotham City while becoming an infamous psychopathic crime figure.
2019 is the year of Elton John, with the release of the box office hit 'Rocketman', his autobiography and his final farewell tour all eyes are on the musical genius.
“Sketch XXX (work in progress)” in addition to its “poetic” and “political” content also brings the spectator to his capacity for revolt as an individual before being carried away by an obedient and non-thinking collective membership … The gradual erasure of our antagonistic individual-collective concepts will perhaps help us as individual-collective to imagine that perhaps all the elements of the living being connected this invalidates all “individualist” attempts.
It’s the bitterly cold Winter of 1979 as Rusty types furiously in his trailer. His fiancé had just left him at the alter and in response, Rusty uproots himself from Minnesota and relocates to the middle of nowhere.
When the owner of an old age home, that delivers home-cooked food to people to meet the expenses of its residents, is diagnosed with cancer, a young girl helps upgrade the service to an online business model and raise funds for the owner's treatment.
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