Praised by critics as “magnificent”, “breathtakingly theatrical” and full of “zestful imagination”, Melly Still’s “spine-tingling” Rusalka is a Glyndebourne classic – a magical contemporary reimagining of a much-loved fairy tale. Light and darkness, beauty and danger come together in this passionate tale of love against the odds. At once evocative and unsettling, this production collides two contrasting worlds in Rae Smith’s elegant designs made of “brilliant stage-pictures”. Rusalka’s forest home is a dappled space of sunshine and shadows, full of strange woodland creatures, while the Prince’s court is a world of sleek modernity and sophistication – a world of man.
Watch the official Dvořák: Rusalka 2020 trailer in HD below.
Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Salzburger composer Wolfgang Amadeus Mozart.
Franco Zeffirelli's magnificient staging of Puccini's final opera - a fairy tale set in a mythical China - is one of the most popular in the Met repertory.
Having triumphed at the Met in some of the repertory’s fiercest soprano roles, Sondra Radvanovsky stars as the mythic sorceress who will stop at nothing in her quest for vengeance.
Richard Jones’ “La bohème” is an important weapon in the Royal Opera’s commercial arsenal. This is its second revival since Jones’ production hit the stage in autumn 2017, replacing John Copley’s beloved 40-year old staging, resplendent with period detail and resolutely naturalist.
Who loves whom in Così fan tutte, Mozart’s and Da Ponte’s cruelly comic reflection on desire, fidelity and betrayal? Or have the confusions to which the main characters subject one another ensured that in spite of the heartfelt love duets and superficially fleetfooted comedy nothing will work any longer and that a sense of emotional erosion has replaced true feelings? Così fan tutte is a timeless work full of questions that affect us all.
Beethoven’s only opera is a masterpiece, an uplifting story of risk and triumph. In this new production, conducted by Antonio Pappano, Jonas Kaufmann plays the political prisoner Florestan, and Lise Davidsen his wife Leonore (disguised as ‘Fidelio’) who daringly sets out to rescue him.
Simon Keenlyside smolders dangerously in the title role of Mozart’s version of the legend of Don Juan, creating a vivid portrait of a man who is a law unto himself, and all the more dangerous for his eternally seductive allure.
The Zurich Opera gathered a superb cast for this production: Italian soprano Eva Mei sings the Countess Violante, known as Sandrina, the feigned gardener of the title.
Popular movie trailers from 2020
These some of the most viewed trailers for movies released in 2020:
The story of the former beauty queen and singer, Anita Bryant, who later in life gained notoriety by campaigning in the 1970s to repeal laws that prohibited discrimination on the basis of sexual orientation.
In the wake of a devastating plague, that has killed most of the world's population, a man named Rory searches for other survivors, for answers, and for hope in a post-apocalyptic world, where nothing is quite as it seems.
A video blogger's desperate search for his girlfriend, only visible via his video camera as hostile entities stalk him from the darkness, tearing away his reality to reveal a horrifying truth: this is their domain, he's their test subject.
Yeong-bin succeeded in getting a job. He is excited and buys food for his friends. Na-yeong is going to give a congratulatory gift to Yeong-bin for getting a job.
The new film aims to show how the Bible and Judeo-Christian values were deeply influential to the formation of the United States of America and how that influence has steadily eroded in the public square.
To travel an infinite universe is to find the unexpected. Ares (Phelan Davis), a soldier of a distant and bittersweet future, finds himself thrown into The Void: a dimension used by humanity as a shortcut through space, thought to contain nothing but emptiness.
In “Spaces #3”, 7 internationally acclaimed directors shot, after commissioning by the Thessaloniki International Film Festival, a short film at home, making their own timely comment on the new reality that we live in.
Comments
Have you watched Dvořák: Rusalka yet? What did you think about it?
