Vimal Pandey and Sandeep Mishra spews a captivating tale with “ The Holy Fish” that reflects Indian lore and beliefs. This film features two interconnected stories that compliments each other – an old man rising from his death bed, realising Moksha as his ultimate desire and begins search for a fish depicted in folklore and the next story speaks of a newly married bride facing pain of being away from her husband, wants to go to the same for materialistic purpose. “The Holy Fish” is a matrix of desire, material cravings, penitence along with beliefs and scepticism. Shot in the town of Allahabad this film evokes an authenticity to its theme and is a worthy watch.
Watch the official The Holy Fish 2020 trailer in HD below.
Wayward, brash, and disobedient Mohan (Shammi Kapoor) is sent by his angry dad Diwan Badriprasad (Ulhas) to a retired army captain Dayaram (Om Prakash) to learn some discipline and respect.
Heera has two passions in his life, namely his love for Reema, an air-hostess, and photography. When Reema passes away during an airplane accident, Heera is left with only passion in life - photography.
Inspectors Amar (Dharmendra) and Dayal (Raza Murad) in their attempt to arrest bandit Sher Singh (Amrish Puri),, get injured, Amar survives, but Dayal gets his legs crushed and becomes wheelchair-bound.
A boy meets a girl named Riya and falls in love. After struggling to convince her to be his girlfriend, she half-heartedly agrees to be his `half-girlfriend'.
An upright ex-army man, Jai fights a solitary war against corruption and injustice. With a simple mantra to pay forward, he starts off by helping one person and forms an ever growing circle of people helping each other.
A young man, Aditya Singh (Adhyayan), who fell deeply in love with a beautiful girl (Ariana). Soon he had a severe heart-attack, and when consulted with his doctor-friend (Shekhar Suman), he then suggested him to do a heart-transplant.
A memoir celebrating yesteryears of cinema and how silver screen has evolved over the years, this documentary is ode to cinema by the audience, for the audience.
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Comments
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