An experiment on language and its inability to contain reality, "Aniquilação" is a collage made with sounds, images and words. From a continuous pulse, noises and sound traces form a cadence that merges with landscapes and details of a world full of things, colors, phenomena and creatures. The language is represented by scraps of word-search magazines, of which words, crosswords and riddles insist on defining and conceptualizing the things, sounds and images, which creates a gradual saturation that leads to the complete abstraction of everything. Concept, images and editing by Xavier Braun, soundtrack and sound design by Victor Rodrigues – as QORPO. Brasil, 2021
Watch the official Aniquilação 2021 trailer in HD below.
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The climbing of an immense staircase made up of the most varied stairs. Symbolic scenes occur on different levels where characters seem to be prisoners of their deeds and of their own folly.
A painter in his studio: his pencils, brushes, tubes, table, easel and drawings set themselves in motion in an explosion of colors and flashes of light.
A very personal look at the history of cinema directed, written and edited by Jean-Luc Godard in his Swiss residence in Rolle for ten years (1988-98); a monumental collage, constructed from film fragments, texts and quotations, photos and paintings, music and sound, and diverse readings; a critical, beautiful and melancholic vision of cinematographic art.
A very personal look at the history of cinema directed, written and edited by Jean-Luc Godard in his Swiss residence in Rolle for ten years (1988-98); a monumental collage, constructed from film fragments, texts and quotations, photos and paintings, music and sound, and diverse readings; a critical, beautiful and melancholic vision of cinematographic art.
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A man named Cukik trapped in a paradoxical dream about the man he is watching on his laptop. This madness was contagious even to the mysterious man in his dreams.
We're in the midst of a revolution. With protests and uprisings taking place all over the world in the name of justice, we find ourselves in a time where the world is finally ready to hear the voice of the inner city.
The night is dark and cold, I walk through the plantations, I look at the leaves and stems of the banana trees while memories of my grandfather come to my mind.
For more than a decade, Reichsmarschall Hermann Goering, Adolf Hitler's right-hand man during the infamous Third Reich, assembled a collection of thousands of works of art that were meticulously catalogued.
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