The Nazi concentration and extermination camps were places of incomprehensible cruelty, misery and death. But even here, creation took place. Creation as a means of survival against destruction. Art against dehumanization. On behalf of the SS, but also secretly at the risk of their lives, people drew and painted, sculptors and model makers worked, concerts were performed and theater was played. Prisoners created paintings and other works of art, which the SS henchmen sold or sent home to their families. In the Austrian Mauthausen concentration camp, inmates made sketches of the crime scenes where fellow prisoners had allegedly died while trying to escape. In the Buchenwald concentration camp, prisoners had to rehearse a camp song in the freezing cold until it sounded perfect to the ears of their tormentors. In addition to this forced art, however, there were also illegal drawings that could give the outside world an insight into actual camp life.
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Part two of Leni Riefenstahl's monumental examination of the 1938 Olympic Games, the cameras leave the main stadium and venture into the many halls and fields deployed for such sports as fencing, polo, cycling, and the modern pentathlon, which was won by American Glenn Morris.
Starting with a long and lyrical overture, evoking the origins of the Olympic Games in ancient Greece, Riefenstahl covers twenty-one athletic events in the first half of this two-part love letter to the human body and spirit, culminating with the marathon, where Jesse Owens became the first track and field athlete to win four gold medals in a single Olympics.
Narrated by Sir Derek Jacobi - star of the landmark television series "I, Claudius" - this documentary explores art and culture around the Bay of Naples before Mount Vesuvius erupted in AD 79.
Documentarians Andre Heller and Othmar Schmiderer turn their camera on 81-year-old Traudl Junge, who served as Adolf Hitler's secretary from 1942 to 1945, and allow her to speak about her experiences.
A portrait of the day-to-day operations of the National Gallery of London, that reveals the role of the employees and the experiences of the Gallery's visitors.
THE ARYANS is Mo Asumang's personal journey into the madness of racism during which she meets German neo-Nazis, the US leading racist, the notorious Tom Metzger and Ku Klux Klan members in the alarming twilight of the Midwest.
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